SASKIA MARKA


THE NEW ANALOG

Form emerges through chance and texture. Artefacts become material.






SPECTRA, 6.30 min
SPECTRA – State
SPECTRA – State
SPECTRA – State
SPECTRA – State
SPECTRA – State
SPECTRA – State
CHROMATIC DRIFT,  6.30 min
CHROMATIC DRIFT – State
CHROMATIC DRIFT – State
CHROMATIC DRIFT – State
CHROMATIC DRIFT – State
CHROMATIC DRIFT – State
CHROMATIC DRIFT – State

SIGNAL COLLAPSE – State
SIGNAL COLLAPSE – State
SIGNAL COLLAPSE, 4 min
SIGNAL COLLAPSE – State
SIGNAL COLLAPSE – State
SIGNAL COLLAPSE – State
SIGNAL COLLAPSE – State
THRESHOLDS, 3.50 min
THRESHOLDS – State
THRESHOLDS – State
THRESHOLDS – State
THRESHOLDS – State
THRESHOLDS – State
THRESHOLDS – State
RESONANCE,  4 min
Resonance – State
Resonance – State
Resonance – State
Resonance – State, Reduced Spectrum
Resonance – State, Reduced Spectrum
Resonance – State, Reduced Spectrum

Profile


My work explores the intersection of digital systems and material perception.

I create process-driven, non-generative images shaped by texture, imperfection, and emotional presence.

Developed through intuition, instability, and chance, the works allow forms and structures to emerge over time rather than follow fixed narratives.

With a background in visual and conceptual title design, I explore how rhythm and structure translate into abstract image systems — where color and form are not constructed, but emerge.

Individual frames retain visual autonomy, while their temporal arrangement forms a sustained perceptual field.




Notes
  
Instability is not a failure.

It is a condition we recognize.

Under pressure,
perception shifts.

What becomes visible under pressure
often feels unfamiliar.
 
 

I work with
          chaos
   until
         it

organizes itself.
Contact:   Email